That Floating Poo Was Far Too Symbolic! These Are the TV Letdowns of the Year.

As we reflect on the TV offerings of the recent year, a selection of series emerge not for their excellence, but for their notable failures. Ranging from awkward spin-offs to confusingly poor documentaries, here are the programmes that had us utterly bewildered or just reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this love/hate spin-off? Plagued with dreadful writing, cringe-inducing arcs (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the show struggled to find its footing. For a moment, as the third series began, it seemed as if it had finally hit its stride. Then came an installment centered on Seema’s natural deodorant. Little surprise the creator declared this would be the last series. It ended on a low point; the lingering shot of Miranda’s loo full of poo was simply too on-the-nose. Still, viewers certainly found joy dissecting every single “what on earth?” episode. And as Carrie – once again single – danced around her palatial townhouse to Barry White, who couldn't let out a little sob?

All’s Fair

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was almost the smallest of this drama's issues. The subject of a exceedingly uncommon zero star assessment, it was hard to know where to start listing the problems. The laughably leaden dialogue? The tedious veneration of wealth and materialism? The almost deliberate parade of cliches? Acting so bad they felt almost malicious? Suffice it to say “each and every one” and forget about this series again. However, a second season has been commissioned, so we’re likely going to have to.

AKA Charlie Sheen

Given the legal troubles, domestic violence allegations and parental failures, it’s reasonable to say Charlie Sheen has been a bad boy. Not that you’d truly have gleaned it from this three-part docuseries which smirked its way at Sheen’s various episodes of self-destructive excess while struggling to tell us anything we didn’t already know. Instead, it felt as if this loose cannon was being indulged, so any sympathy this show might induce should be reserved for the people who have had to suffer proximity with this charming but dismissive narcissist.

The Iris Affair

Of course we knew it was preposterous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We persevered out of sheer love for its stars … but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ended up hacking Charlie with an axe … in super slow-motion. Talk about admitting defeat.

The Gangster Drama

Dodgy figures meeting in empty boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.

In truth, that is unfair on the gangland dramas of the late 90s. Many look a bit dated now, but at least they didn’t endure the ignominy of having to indulge baffling accents. But there were plenty of other problems. Primarily that it was just profoundly dull; a conflict over narcotics territory between various cockney rogues which seemed a bit basic.

The Meghan Markle Series

Given the degree to which she grinds the gears of certain ostentatiously angry commentators, it’s almost tempting to applaud the Duchess of Sussex’s various ventures into twee lifestyle as deliberate provocations. But then you watch them and are compelled to concede that in this case, they might have a point. It’s like watching a lifestyle catalogue come to life; a meme for wine o’clock with delusions of grandeur; a procession of sleeping dogs, humming beehives, sentimental sayings and pointless crafting “tips” you’ll not remember instantly. All supported by immense, largely undeserved wealth. Ugh.

The Beckham Documentary

There are obviously interesting things to be discussed about both Victoria Beckham and her struggles with vocation, self-image, self-acceptance. But for whatever reason, this three-part series opted not to say them. Rather, the experience was akin to reading a marketing brochure. She clearly has good reason to resent what she describes as her “miserable cow” image. But sadly, she didn’t do herself any helps with this guarded non-event of a series.

The Game Show

It should have been the next big hit – except even more extravagant, with a famous star playing dead and a sharp-tongued personality managing her inheritance. What more could you want? As contestants battled it out, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s even now too complicated to detail what exactly was happening. Even more disappointingly, we only saw glimpses of the star via filmed videos. The series ended up smelling of a production that was trying way too hard to live up to something way beyond it.

The Lena Dunham Romcom

How do you follow a show that defined a generation? The expectation was enormous for this starry romcom about Jessica, a rosy-eyed New Yorker who arrives in London with a shattered romance. The star seized the opportunity by the horns and was a delight to watch, embodying Austen levels of romantic notions. But it was all very slick and, paradoxically, was insufficient. Plus, the abundance of famous friends involved felt icky.

The Sketch Show Return

Not even good enough to be ‘patchy’.

Given the smart inclusion of gifted younger comics, hopes were high. But sadly, most of it fell flat. A recurring sketch was a single joke stretched to a husk but recurring in every episode. One star seemed too willing to slip into a well-known ranting mode. The writing room sketches, in contrast, simply provoked the idea that they should probably have remained in there a while longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this was not it. The material needed to be treated with care. Rather, the series struggled painfully to find the right tone, lurching from strangely jaunty, slightly stylised farce to inevitably, real-life horror. Complex? Perhaps. A total mess? Absolutely.

The Maths Genius Thriller

We admire the star … but did we believe him playing the most brilliant maths genius in history, a man so intelligent he’s on the verge of a breakthrough that could destabilise society? Nope! This international thriller about government agencies spying on – and eliminating – intellectuals frankly got more farcical by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This hagiography followed the content creator notorious for explicit escapades as she prepared for her most extreme challenge yet. What on earth would motivate her? What we craved was way more examination of her actual psyche, plus those of the men in the line. They could at least have interviewed the legendary mum who showed up to haul her son away from the queue. What we got was horrific shots and absolutely no critical analysis of her infamy whatsoever. And to think, the documentary-maker has a young daughter too.

Lisa Smith
Lisa Smith

Elara is a seasoned gaming journalist with a passion for uncovering the latest trends in online slots and casino entertainment.